Tag: Identity

  • A Word That Wounds and Wakes Us: Rethinking “Coloured” in the Age of Memory

    A Word That Wounds and Wakes Us: Rethinking “Coloured” in the Age of Memory

    🟤 A Word That Wounds and Wakes Us: Rethinking “Coloured” in the Age of Memory

    By Adli Yacubi

    “The name ‘Coloured’ was forcefully given to us.”
    — Glen Snyman, Sunday Times, 20 July 2025

    Last Sunday’s front page posed a question still burning through our national psyche:
    “Coloured: A term to ban or build around?”

    In bold red and black, the Sunday Times article (20 July 2025) captured a moment of deep fracture — and opportunity. It spotlighted the voices of two public figures, Glen Snyman and Fadiel Adams, whose opposing stances on the term “Coloured” reflect long-simmering tensions within post-apartheid identity politics.

    And yet, beyond the noise, a different current is rising. One that calls not for renaming or romanticising, but for remembering.

    ❌ Criminalise or 🔁 Reclaim?

    Glen Snyman, founder of People Against Race Classification (PARC), argues that “Coloured” is not merely outdated — it is damaging, like the K-word:

    “It disguises the true identity of the first inhabitants of South Africa. The government still refuses to recognise the Khoikhoi and San people on official forms after 30 years of democracy.”

    Snyman’s activism led to national debates in parliament and institutions like the Western Cape Blood Service adding the “prefer not to say” option to racial forms. But his call for criminalising the term has stirred legal and ethical challenges — and provoked a backlash from those who feel erased by the erasure.

    On the other end stands Fadiel Adams, leader of the National Coloured Congress, who says:

    “We are decolonising the term and reclaiming our power.”

    Adams believes in building around the identity — anchoring it in lived pain, community resilience, and political recognition. But critics say this collapses our histories into apartheid boxes, reinforcing labels that were never ours to begin with.

    🪶 What’s In a Name?

    Into this fire, Patric Tariq Mellet, historian and author of The Camissa Embrace, offers clarity beyond polemics:

    “Goringhaicona was never a name people used for themselves. It was a derogatory Dutch term meaning outcast or scavenger. Autshumao’s people were known as the /Kamisons — water traders. They were a sub-group of the Cochoqua. The term Camissa remembers them not as fragments, but as a river of convergence.”

    Mellet’s contribution is not merely semantic — it’s genealogical. It reveals that terms like “Coloured” and even “Brown” are colourist overlays that flatten our multiple ancestries: San, Khoe, Xhosa, enslaved African, Indian, Javanese, and European.

    His critique of both Snyman and Adams is incisive:

    “Both men reflect valid concerns — but both are caught in Apartheid’s trap. One criminalises. The other romanticises. Neither steps fully into the radical work of remembering, beyond state classification.”

    🧬 Memory as Resistance

    To stand in this in-between space — neither erasing the term nor enshrining it — is to do the work of memory. To say: we were misnamed, but we are not unnamed. We are more than what apartheid called us. And we are not only what the census categories offer us.

    This blog, like others before it, is not a position paper. It is a growing reflection rooted in questions I’ve been asking for years:
    — What do we mean when we say “I am Coloured”?
    — Who gets to say so?
    — And what happens when our ancestors whisper different names?

    We are not “non-white.” We are not “Other.”
    We are not “Coloured” in the way the law intended.
    And we are not simply “Brown,” either.

    We are Camissa. We are from the river.
    We are still flowing.

    📝 Postscript

    We acknowledge the work of Patric Tariq Mellet, whose scholarship challenges colonial erasure. Through his writing, Camissa is no longer hidden — it is remembered as a place of sweet waters, of creolised identity, of sacred convergence.

    His reminder to not confuse / reclaim / romanticise pejorative colonial terms (such as “Goringhaicona”) is especially important — and will be reflected in our future revisions.

    We also draw from Stuart Hall, who wrote that nations are “narrated into being.” To say “I am from Camissa” is to resist imposed categories and to speak from the riverbed of relation — to narrate the nation otherwise.

    The story of who we are is still being written. Let it not be in the language of our conquerors — but in the voice of our rivers, mountains, mothers and names.


    💧 The Colour of God

    صِبْغَةَ ٱللَّهِ ۖ وَمَنْ أَحْسَنُ مِنَ ٱللَّهِ صِبْغَةًۭ ۖ وَنَحْنُ لَهُۥ عَـٰبِدُونَ
    “This is the colour of Allah. And who is better than Allah in colouring? And we are His worshippers.” (Qur’an 2:138)

    Not the colours of empire. Not the names imposed by maps or ministries.
    But the silver sap beneath the bark. The scent of rain on root.
    This is the ṣibghah of God. The sacred dye of those who remember.


    📎 Read the full Sunday Times article: “Coloured: A term to ban or build around?” (20 July 2025)

    🧭 This story flows alongside others:
    – “The Mother Tongue of Tasbih”
    – “From Chains to Qur’an”
    – “The Legend of the Silver Tree”

  • What’s your story, morning glory?

    What’s your story, morning glory?

    Everything is a story, including the person you believe you are

    Ryan McGuire of Bells Design on Gratisography
    Ryan McGuire of Bells Design on Gratisography

    It is Michel Foucault, the French philosopher, who says, “Do not ask who I am and do not ask me to remain the same.” The point he was making is that we are constantly changing as a result of a myriad of experiences that impact upon our personality in any given moment. As human beings, however, we are averse to change and freeze our identity to create a stable reference of who we are.

    If you were to ask me who I am, depending on the time, my mood and what I think you might know about me, I will tell you a story. It might be about what I doing right now, where I come from, what I might have accomplished… Whatever it is, it will be a story. I would not need to think too much about the story/stories because I have told it many times to different people. Even if I were to just simply say my name, the rest of the story will play itself out in my head because I have made enough repetitions in the past; I have repeated them over and over so many times. We make a mantra with the stories that we hold.

    Our entire lives, from when we are kids, we are surrounded by stories. You could say that stories pervade everything. Our very own lives, how we see others, how we see our communities, our nation, the world, are all constructed in story.

    Starting the South African story with Jan van Riebeek and the arrival of the first Dutch settlers in 1652 is a choice we make when we recount the history of our nation. But even if we were to choose to start further back than the arrival of colonialism, or decide to include areas previously excluded, we must realise that the narrative of the nation is a construction. We make choices in how we frame a country or a people.

    In a sense, we are also trapped within the stories we tell and retell. For example, I maybe a mess today because perhaps my father would beat me. Perhaps, he was a harsh man, he never acknowledged me, always called me a loser. And as a result I am a bad father to my kids, or a bad husband, or unreliable, or whatever… Through the stories we hold to our chests, we limit our own greatness or justify our own arrogance or our own racism. We say things like, “I am always a stickler for detail, I am fussy, I don’t suffer fools…” or “Women are always bad drivers”, “Blacks have no idea how to run a country which is why Africa is in a mess…” These are stories we invented partly based on limited experience of reality and partly based on very limited perception.

    Our entire lives, from when we are kids, we are surrounded by stories. You could say that stories pervade everything. Our very own lives, how we see others, how we see our communities, our nation, the world, are all constructed in story.

    It is like driving on the highway and a car swerves right in front of you. You honk your horn to vent your anger. You take a quick glance at the make of the car or maybe the number plate or the gender or race and we make up a story to explain the other driver’s lack of manners. We have no idea what the actual reason was for that driver’s behaviour and may never know. But we are going to go home and repeat that story to whoever cares to listen including our one-sided analysis.

    There is this story of a guy who could not control his gossiping tongue and went to see a sage for guidance. He was instructed to collect feathers and release it on windy day from the minaret overlooking the city. When he returned to declare success, the sage said to him, “Now go and collect those feathers once more.” “But this is impossible,” said the man, “they are now so widely spread!” “Precisely!” said the sage.